Murat Güneş

Roads, Composing Electronic Music: A New Aesthetic (2015)

Roads, Curtis. Composing Electronic Music: A New Aesthetic". Oxford: Oxford University Press, 2015.

Roads presents a not-quite-survey of composition methods in electronic music, avoiding any claim of comprehensiveness while presenting a useful selection for understanding what it means to compose contemporary electronic music, complete with its pedagogy.

c. 3 - “The Nature of Sound” is an instructive chapter, less original than the rest, as stated by the author in the preface as well. Therefore, no notes taken. It’s a good brief review of the physical properties of sound — good reference material. — File under “shallow reference”

TODO: List main arguments of the book.

  1. Sound material determines outcome in electronic music composition
  2. Novelty in electronic music arises through familiarity
  3. Utilizing full range of sound negates interval thinking
  4. Distinction between note based vs. timbral/textural approaches transcends electronic vs. acoustic music divide
  5. Economy of selection in electronic music, after Roads
  6. Electronic sounds from a computer are of indistinct provenance
  7. Multiscale approach to composing, after Roads
  8. Problems of musical organization range across electronic-acoustic music divide
  9. Satisficing, after Simon
  10. Timbre is ill-defined